Sunday, 25 August 2013 19:09

The Peefee Meets Zozobra

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In 1953, I belonged to a Cub Scout pack in Santa Fe.  My mom was the Den Mother and had the responsibility of keeping ten 8 year old boys engaged and focused on Scout activities.  I have to admit that I was more interested in the uniform than I was the various tasks, but since completing the projects got you more patches and made your outfit cooler, I persevered.  That fall, she announced that we were to be Little Glooms during the Fiesta burning of Zozobra.

The burning of Zozobra (Old Man Gloom) is one of the more bizarre public celebrations in America.  Predating Nevada’s Burning Man event by 60 years, he was created by artist Will Shuster in 1924 as an artistic addition to the Santa Fe Fiesta, which was celebrated then over Labor Day weekend.  By the time I was a boy, the event had become the signature beginning of the Fiesta on Friday night.  The week before, we would eagerly await his transport to Ft. Marcy Park and his hoisting to the site of his execution.  My dad would tell us stories about how he had been captured in the mountains above town and was being held until he would be condemned and sentenced to burn.  He represented all of the bad thoughts and events of the year and his demise would clean the slate and give everyone a fresh beginning.  I totally believed him.  I still do.

At dusk on Friday night, the entire town gathered at the park.  Zozobra, 35 feet tall, loomed above everyone, emitting the occasional groan and pointing an accusing finger at his tormenters.  A mariachi band played at his feet.  Illuminated by spotlights, he became increasingly animated and his groans were louder and more frequent.  When it was almost dark, all of the lights, save 1 spotlight, went out and the execution commenced.  A group of about 20 kids, dressed in white sheets as miniature Zozobras, slowly walked up the platform and lined up at Zozobra’s feet.  He roared his disapproval and one could imagine him trying to snatch them up and eat them.  After the Little Glooms were in place, the Fire Dancer, dressed in red, arrived and begin to weave around the monster’s feet, taunting him with fiery torches.  Throughout the dance, the crowd became more and more frenzied, screaming “Burn him!  Burn him!”  After about 10 minutes, the dancer put his torch to the hem of Zozobra’s gown and the giant began to burn.  As the flames rose, his moans and groans became shrieks and screams, until the flames burst from the top of his head and the noise subsided.  By this time, everyone was cheering and the skies behind the charred remains were starred with a magnificent fireworks show.  When it was over, everyone walked down to the Plaza and Fiesta began.

Now, for an 8 year old kid, the opportunity to be a part of this and stand at Zozobra’s feet during his immolation was the equivalent of Christmas morning.  Our moms made our costumes out of white sheets from Bell’s Department Store and, the week before Fiesta, we had 2 dress rehearsals at the park so that we would know where to go.  It was, after all, a bit dangerous with all the flames and fireworks.

Friday evening came and it was showtime!  We all lined up and waited for our cue.  It came, and up the steps we went, with me bringing up the rear.  That’s when it started to go bad.  My sheet was too long and I tripped and fell on the stairs.  This caused the shroud over my head to cover my face so that I couldn’t see where I was to go.  Zozobra by now was making so much noise that I couldn’t hear the adults yelling at me.  When I finally got my act together I was all alone on the stairs.  I looked around, saw the rest of the Glooms and ran toward them.  Bad idea.  Fueled by adrenaline, I fell again.  And a third time.  If Zozobra had wanted to, he could have picked me up and torn me limb from limb.  By the time I got into place the Fire Dancer had appeared and we exited.  I took off my sheet as we left, lest I fall into the flames.  Of course, this made me stand out like a sore thumb among the other Glooms.  I will say that the experience of watching him burn from 50 feet away somewhat made up for the humiliation but the damage had been done.  My stature in the peefee world was rising and I don’t think that the taunting stopped until Easter.

Today, it’s one of my most precious memories.

Note:  The word peefee is unique to Santa Fe and its origins are from the nickname given to a slight, effeminate and very flamboyant waiter named Epifano who worked at the Mayflower Café in the 1930s.  The word came to mean weak, unmanly or timid.

--Mike Lord

Sunday, 25 August 2013 11:47

The St. James Hotel and a Memorable Teacher

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Because the state of New Mexico is so big, it was usually important for me to take short trips on my days off and visit places I’d never been before. On a nice day in 1972, I was on my way to Raton and passed through Cimarron. I saw the St. James Hotel Sign and a sort of historical marker and something about a museum under it.

My internal guidance system (a hunch) had me decreasing my speed, pulling to the right, and slowing down even more as I pulled off the highway and onto the short street. Driving much slower now (which always feels weird after driving on a highway), I saw the museum/hotel that was behind the sign. It was pretty much nothing from the outside and sort of run down around the corners. No ornate beams were placed on the building and no Santa Fe chic colors and designs poured over it. It was just a sort of square-looking building. This was 1972 and the building was probably between owners. This did not deter me from going in however, because everyone knows you can find the neatest things under a little bit of dust.

I walked into the lobby and discovered that the bar was the only part of the place that was currently an active business. There wasn’t much furniture or hotel trappings around and apparently no lodging guests. A guided tour was just finishing up. The tour guide of this little group was also the bartender and was anxious to get back to her customers. I could tell her feet were hurting her too. She probably had a chair in the bar she could sit on for a while and I’m sure some of her patrons needed a refill by now anyway. I worried I would not see anything.

“Oh, am I too late for a tour?” I asked.

“Yeah,” she said, “I just finished up for the day with this last grou . . . Oh, and you’re by yourself. Well, you’re welcomed to take the tour yourself, if you don’t mind going alone.” She shot me an odd look like I might not want to go by myself.

“No problem, I’d love to do that,” I said, glad I was going to be able to look around.

She gave me quick directions for both floors and told me not to go into any of the rooms, just look through the glass installed on all the room doors. She told me one room was always closed and not to mess with it. Then she turned and muttered something about needing to get back to her bar.

I was in heaven. It was mid afternoon, the sun was bright, and I almost had the entire place to myself.

I’d like to mention at this point that I am far from being a country western buff. I am not into county music, never paid attention to old west history, and I don’t do or wear anything that might be considered countrified. Not that I look down on others who do, its just not my style.

However, as soon as I walked across that old lobby floor, I felt I had entered into another dimension of time. I was back in the old west. All during my self-tour, I smelled the rich tobacco from cigars, and the mixed aromas of whiskey, food, and coffee wafted around me. Old smells and fragrances often imprison themselves in the structures of old buildings, but it was a pleasant odor and it belonged there. The hotel bar and any other people could have been 100 miles years away.

I looked through the window doors of each room of the hotel to visually linger on the luscious Victorian furniture placed loving—as it once might have been. Most of the walls were various colors and patterns of floral velvet brocade. The furniture was more abundant in the hotel rooms. It was Victorian with the obligatory extra twists and delicate turns in the structures of its wood and metal frames. Long drapes hung from high windows and puddled slightly on the floor. A small ornate fireplace was in each room. I wondered what people looked like when they stayed there in years past—what they wore, what they said, and what they laughed about.

I knew it was only my imagination, but I could hear saloon music and occasionally hear someone yell when they won (or lost) a card game downstairs. I could almost hear and feel the rustle of long skirts.

On the walls by each door, there were several framed photographs of famous people who had stayed in the rooms. People like Bat Masterson, Jesse James, Annie Oakley, Belle Starr, Buffalo Bill Cody, Wyatt Earp, and many others. Zane Grey had written a novel while staying here. The great western artist Frederick Remington also stayed at least once, while creating some of his artwork.

Eventually, I realized that a spirit of a very pleasant woman who was extremely proud of the hotel was gently guiding me on my little tour. I can’t say that I blamed her. I would have loved to owned and lived in that beautiful old building. Of course I didn’t “see” this spirit woman but I could certainly felt her gracious presence. I constantly smelled the fragrance of roses. Years later I would find out that this presence was most likely the spirit of Mary Lambert. She was the wife of Henri Lambert who originally built the St. James. He had once been a famous chef to Abraham Lincoln and to General Grant. Mary is known for taking gentle and considerate care of her visitors and the scent of rose perfume always confirms her nearness.

When I left that day, I thanked the lady in the bar and left. I knew I had just touched the past. I was glad I had been able to see this old museum. I was afraid it would gradually fall into disrepair and finally fade into a dry husk of roofless brick and foundation—with all of its rich history blown away by the wind.

I was very wrong about the conclusion of this wonderful old place. Gosh—I love it when I am wrong about things like this!

Someone bought the hotel and it bloomed again . . .

In 1991, my mother called me and quickly told me to turn on the TV. She said my English teacher from Española High School was on a program. It was an episode of  “Unsolved Mysteries” with Robert Stack. Sure enough, there she was—psychic Jackie Littlejohn, and she had been brought into the St. James Hotel to communicate with the spirits. Now, I have to explain that I (and a few of my friends) were lucky enough to get into her classes back in the late 1960’s—it took a little bit of work, but we frantically swapped classes at the start of the year and took lunch at 1:30 in the afternoon—but we got in. We definitely studied English, but this rebel teacher came with a bonus, she also fit into her teaching schedule lectures about various religious beliefs, the occult, transcendental meditation, study of the Third Eye, and various other subjects that the general public would not hear about for at least a decade. Mrs. Littlejohn was a Cherokee Indian from Oklahoma who took great pride in her colorful Santa Fe style clothing when she taught classes. She often wore long skirts, colorful shawls, and usually wore her long black hair with thick bangs and drenched herself in turquoise jewelry and exotic fragrances. The first part of the class was English and the second half was learning things like; how to astral project your non-material body or the meanings of color. I was always too cowardly to astral project myself, but I always liked to listen to others who felt they had accomplished the feat. Sometimes an Ouija board was brought in—before we knew how destructive those things could be. Our class would read Tuesday Lobsang Rampa’s books and occasionally meditate by the river. It was wonderful until the High School principal found out. Then we would go to Mrs. Littlejohn’s house in Santa Fe on Saturdays to listen to lectures and meditate. If we were a little noisy and restless, she would loudly say, “When the student is ready, the master is willing.” We would all quiet down and listen. She eventually left teaching and took on psychic work full time.

And there she was in the St. James— doing one of the things she did best—commune with spirits. I was surprised she had not been drawn to it sooner, as I had been. She gave the owner valuable protection information that I continue to quietly see in use—to this day. Years after my visit the hotel blossomed again when a man who actually grew up in Cimarron bought the old hotel and restored it in the early 1990’s. He and his wife did just that. They also had a lovely collection of exotic birds in the hotel lobby. Parrots, Cockatoos, and Love Birds filled the lobby with constant chirps and squeals.

The owner was an engineer at the Lab in Los Alamos and didn’t believe in the paranormal, he eventually had to concede that a lot of unexplained things happened—things that he saw with his own eyes. He saw glasses hovering in mid air and then gently placed back onto the shelf, he saw at least one spirit, and he was a witness to many unexplained activities. The spirits of the hotel didn’t mind him so much because they remembered him as a little boy who used to play in the hotel. Unfortunately, some of the spirits did not like his wife because as she was remodeling, she decided to rid the hotel of supernatural entities by ordering them out! The spirits became angry, even knocking her to the ground a few times. Later on if she did something they didn’t like, the anger would came out again. If the room of T.J. Wright was bothered or opened to irreverent intruders, a price would be extracted. The next morning, one of the lobby birds would be dead. Necropsy reports by the veterinarian never found anything physically wrong with the birds before their death.

At one time, the hotel would host a “Murder Weekend” in which people would book a room and take part in a preplanned act with other guests. The guests would get a summons in the mail, one week before their visit to the hotel, detailing their script and costume; a saloon girl, a gun fighter, a sheriff, etc. All acts were centered on the old Cimarron history and characters. The murder weekend guests would arrive on Friday night, have dinner and then one of them would be found “dead” later that same evening. The rest of the guests had until Sunday morning to figure out who the “murderer” was. Although I never participated, I sent many couples up there who claimed it was a great experience. During these special weekends, the hotel ghosts and paranormal activity usually became more active than usual, especially with the guests in costumes staying in the haunted rooms of the old section.

One woman who stayed at the hotel told me that she was filling the bathtub to take a warm bath in Mary Lambert’s room. When she started to get in, she noticed it was too hot and started to step out making little “Oh, hot, hot, hot” sounds. She said suddenly she smelled roses around her. I believe this was the Mary Lambert spirit, concerned about her guest’s welfare—the unseen ghost popped up to make sure the situation was not serious and to offer sympathy. This would have been just like her—exactly like the sweet little tour she had given me—during my visit a long time ago. She was a beautiful presence to be around. However, if you stay in her room, remember to bring along a little extra bottle of perfume, as she tends to keep these for herself. Several lady guests have reported missing perfume after staying. Well after all, it is probably very difficult to shop in the afterlife and fragrance is her calling card!

A note: After reading about many different ghostly encounters all over the world, I have noticed that most female ghosts usually have the name Mary (Maria, Miriam, etc.). The male ghosts are often John (Juan, Jean, Sean, etc.). The angry ghost of T.J. Wright at the St. James in Cimarron is also named John (note the J. in his initials). I don’t know why this is—I just thought it was very curious. There is a lot of magic connected to these two common names, making them both exceptionally strong and important. For example, Brujas (witches) cannot make a magic protective circle without having someone named Juan standing with them inside the enclosed space.

The angry spirit of T.J. Wright occupies his own room, and the room is rarely entered by people, and rightly so. It is said that he was in a poker game in which the hotel owner put the St. James into the ante pot. T.J. Wright won the game, but as he stood up, the owner shot him dead. In some ways, I really can’t blame Mr. Wright for being a little pissed off and a bit possessive of the hotel and especially his room! Coming from many years spent in the hotel industry, I can tell you that just running a hotel (much less owning a hotel) gives you a heavy crown of power in a kingdom of sorts. It is a 24/7, no holiday job in which everyone’s comfort is your duty. You want everything to go right and you especially want all your subjects to get along, be well fed, happy, safe, and warm in their beds. Just like children, hotel guests create activity, high drama, and a lot of laughs. So give Mr. Wright a break and let him rest easy, he has a lot to grieve over, he might have been a wonderful hotel owner.

John F. used to be a state police officer and worked around Cimarron many years ago. He became acquainted with an elderly man (also involved with law enforcement) who grew up around the St. James Hotel. When the old man was young, he remembered how the lobby of the hotel was often used as a temporary morgue for the victims of a violent era (probably in the late 1800’s). He took it upon himself to quickly sketch the dead victims including bullet wounds and other injuries. He used it for court evidence later on. He had an entire book of these sketches and a huge amount of stories. When the elderly man died, the sketchbook went to his son who was from out of state. John F. (an artist himself) wished he had tried harder to get the old man’s sketchbook and notes, since it was such an important piece of history. John was afraid the son did not appreciate just how unique the sketchbook really was.

There are several types of paranormal phenomena and images of ghosts seen around the St. James Hotel. One is a small impish creature around the bar area. Another ghost seen in the bar is an older, blond, long-haired man with a pockmarked face—known as “Woody” from Taos. He is sometimes seen sitting at a table in the bar—but only for a moment, before he disappears.

From the latest website it looks as though the hotel is renovated even further and loved as much (I hope) by new people and management. I understand they are often crowded, so reservations are probably a must.

I hope the St. James Hotel in Cimarron stays busy, active, loved, and appreciated forever.

 

“The only thing that matters in this life is love. That's what it comes down to. That's all.”

quote from Jacqueline Littlejohn Capricorn ~1930–October 19, 2002. Thank you Mrs. Littlejohn, requiescat in pace.

—Raven DeVille

Thursday, 22 August 2013 21:07

US Census Data for largest New Mexico counties 1900-20

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There has been some discussion on Voces Facebook concerting the population of New Mexico cities in the early 1900's. I put together this table from US Census data to illustrate the decline in Santa Fe that occupied the city fathers of the time.

Saturday, 17 August 2013 17:03

The Death Trails and the Peefee Bicycle

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It was the fall of 1955 and I was anticipating my first bicycle.  Most of my friends had either Schwinn (sold by Cartwright’s and Sebastian’s Firestone) or J.C. Higgens (Sold by Sears) single-speed bikes with heavy frames, coaster brakes and 26” balloon tires.  I prowled all over downtown Santa Fe, looking for the perfect bike, and I found it at Gerkin’s Bicycle Shop on Water Street.  It was made by British manufacturer Raleigh and, unlike the behemoth machines of my friends, it had a lightweight frame, skinny 27” tires, a 3-speed Sturmey Archer rear hub with the shifter on the handlebars and front and rear caliper hand brakes.  It also had front and rear fenders, front and rear lights powered by a generator, a down tube mounted pump and a leather saddle with a little bag full of tools underneath.  That bike was made for me and I begged my parents for it as my Christmas present.  Since it was considerably more expensive than the bikes everyone else rode, I was told to lower my sights and find one that was reasonably priced.  I did, but the anticipation became lukewarm.

Christmas morning arrived and I trudged down to the tree.  And there – with a red bow on the handlebars – was the Raleigh English Racer!  I don’t think I ever got a Christmas present before or since that took my breath away like that bike did.  I received a serious lecture from my dad about understanding that it required a lot of care and upkeep, that I was responsible for getting it licensed (Santa Fe had a bike license ordinance in those days and for 50 cents you got this cool little plate to attach to the rear fork) and, above all things, I was NOT to ride it in the dirt.  I assured him that I understood and spent the rest of the day taking it apart and putting it back together with the nifty little tool set.

Spring came and I rode that bike all over town.  I would put it in high gear and rocket down East Palace from my home on La Vereda, cruise around the Plaza, ride up College Street to Manhattan Street, down Delgado Street to Alameda and then put it into low gear for the stretch back up Palace.

The only downside was that my friends with the big bikes immediately branded mine a peefee bicycle.  The word peefee is unique to Santa Fe and its origins are from the nickname given to a slight, effeminate and very flamboyant waiter named Epifano who worked at the Mayflower Café in the 1930s.  The word came to mean weak, unmanly or timid.  To make matters worse, I was labeled as a peefee because I wouldn’t go with my friends to the local off-road bicycle course, the Death Trails.  Located between Don Gaspar and Galisteo near the powder house, the Trails were a series of hills, valleys and arroyos where kids had built jumps, banked curves and the like.  This was before Cordova Road was built and there were no houses out there – just open country.

As one might guess, it wasn’t very long before I made my first trip out to the Death Trails.  There were a lot of kids out there, both Hispano and Gringo, and what was most important was how well you could ride.  I figured that my 3-speed gears would give me an advantage, especially on the uphill parts.  I was wrong – that bike was a real dog off-road.  While I could ride fast on the flats and downhill parts, the skinny tires were worthless in the sandy arroyos and the bike would come to a halt almost immediately.  I would have to get off the bike, push it up the other side, and remount.  This led to hoots and catcalls, further cementing my reputation.  I was no longer a peefee – I was their king.  Thoroughly humiliated, I left and pedaled the long 3 miles home.

Now, for most people, that would have been the end of it.  But it was at this point that all reason and promises to my father went right out the window.  I had noticed that the really good riders had stripped their bikes of all unnecessary hardware, and I figured that if I did the same my bike would be much lighter and more nimble.  So a couple of days later, after my dad left for work, I got out my little set of tools and went to work.  Off came the fenders, the chain guard, the generator, the lights, the pump and the toolbag.  When I finished, I was certain that I could reclaim my manhood and off I went.

The bike certainly was faster and by pedaling insanely, I could ride down a hill into the arroyo sand where momentum would carry me across to the uphill side without dismounting.  After spending some time getting the feel of things, I headed over to the more technical part and decided to try the jumps.  The good riders could get 2 or 3 feet in the air and I figured that I could do at least that.  I waited in line for my turn and when it came I rode for the jump as fast as I could.  I catapulted into the air, came down on the front wheel and the bike simply quit working.  After I picked myself up from a major faceplant I got the bike and tried to figure out what was wrong with it.  There was plenty wrong with it – I had broken the frame where the top tube connects to the handlebar headset.  Realizing that I was still king of the peefees, I pushed the bike home, arriving an hour after I was supposed to be there.  My parents had no idea where I was and I was in big trouble on so many levels.  Coming home late – check.  Riding way out Galisteo Street – check.  Dismantling my bike – check.  Riding in the dirt – check.  Breaking my bike – check and check.  I spent the next two weeks under house arrest.

After my dad cooled down, we took the bike back to Gerkin’s to see if it could be repaired.  Mr. Gerkin was able to braze the broken frame back together, but the bike was never the same.  It would pull to the left instead of going straight and the front brake would shudder whenever it was used.  The last time I rode it was in the fall before school began.  It wasn’t until 30 years later that I discovered today’s mountain bikes and learned to ride in the dirt.

Peefee no more.

--Mike Lord

Saturday, 17 August 2013 08:03

A Generational Waltz through New Mexico

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As a baby I knew it wasn’t a real ocean, but I remember “The Beach” in Carlsbad, NM. A lot of unexpected green grass and shade trees grew by a sandy “shore” next to the flowing Pecos River. There were some picnic tables for gatherings and everyone seemed to be wearing a smile. It is a pleasant memory, but I also remember how hot it would get later in the afternoon.

My mother didn’t have any family left in Carlsbad, but it was close to Eunice, NM where we lived back then and it was a nice place to go—for a change of pace.

Actually my mother and her younger sister had been born in Washington State, but they had traveled to Carlsbad as children to visit relatives and friends who lived here during the first part of the 1900’s. Her father took them on a ship down to Central American (~1915) and they crossed the newly built Panama Canal, came up the Gulf of Mexico, and finally traveled inland—to Carlsbad. My mother’s father was a man of the sea and no doubt interested in the newly constructed canal that cut huge amounts of time and mileage out of transport and deliveries of goods. After visiting Carlsbad, they traveled back to the Northwest by train.

When mom saw Bruce Cabot in a movie, she would mention how she knew him as a kid on her first visit to Carlsbad, but she would reveal that his real name was Jacques—back then. Her older half-brother Ed and Jacques had been good friends and were altar boys together in Carlsbad. Mom always said this with a slight curl of the lip and I asked her why she didn’t seem to like him.

“He and Ed used to pee in beer bottles and then try to convince us kids it was real beer,” she said. Mom was too street smart as a kid and wouldn’t fall for it, but it still made her mad.

“Oh well,” I thought to myself, “Boys will be boys,” and then I would quietly laugh at her half-hearted disgust. Secretly I was always pretty impressed that mom knew him. After all, he was the lead man in King Kong in 1933 and John Wayne’s constant companion actor in most of the Duke’s later movies.

In Carlsbad, Jacques’ father had been some sort of French diplomat and my great-grandmother’s father was also French and participated in the same sort of livelihood. Jacques was raised as an orphan since both his parents died early in his life, but he may have been raised with relatives in Carlsbad. There appeared to be a small French/Irish community in Carlsbad at the time and it may be why our two families came together. Maybe we were even slightly related—I don’t know. I believe that the actual house of Bruce Cabot or (Etienne Pelissier Jacques de Bujac [his real name]) and his father (a lawyer) was once a historical site or museum, but I don’t seem to find any current mention of it.

Back in Washington and a few years after their initial visit to Carlsbad—my mother, her sister, and their half-brother Ed would become orphans. Ed was eight years older and didn’t need much attention so he was already happily on his own in Carlsbad.

They would all eventually reach their destination family in Texas with their maternal aunt. However, before this would happen, my mother and her sister would experience a horrible orphanage existence for three months. Their Aunt Helen (Auntie) in Texas had two children of her own, was poor, and was trying to make it through a meager and struggling financial situation—like everyone else at the time. Yet, she opened her arms and took in my mother and aunt. They were all eternally grateful to her. Previously, mom and her sister had been set up in a wonderful convent/boarding school in Washington with enough money to see them through college. They were both treated well by the sweet nuns and flourished in the convent for about seven or eight years.

Unfortunately, a scoundrel lawyer stole all the money from the inheritances of my mother and aunt. Afterward, my mother and her sister were placed into a horrible orphanage in Washington that tried to adopt them out to wealthy strangers. Auntie immediately went through a lawyer (a lawyer who would later be elected governor of Texas) in order to get them out of the orphanage and into her home. After their time in the orphanage, my mother (12) and aunt (10) embraced their freedom and rode the train to Texas to begin their happy new lives with Auntie and Uncle Johnny.

Uncle Johnny was not a blood relative but he was a pretty interesting person. He first met Auntie (the youngest of her family) by accidentally running into her with his bicycle. He said the first time he saw her, she was so beautiful he couldn’t take his eyes off of her—and ran right into her. Well, I guess she wasn’t hurt and was a good sport about it—because she married him.

Uncle Johnny and Auntie never had much money but usually had small stores around Texas and New Mexico, and at one time I think they raised peanuts in Portales. Uncle Johnny once had a small fleet of trucks in Texas to try to produce income—but he was more of a dreamer than a successful entrepeteur. At the beginning of their married life they were living in Carlsbad—long before my mother and aunt showed up. It was during this time that Jim White first discovered the Carlsbad Caverns. Although Uncle Johnny wasn’t in the first official group to go into the caves, he knew Jim White and had explored the caves a bit. Mom remembered how Uncle Johnny would tell them about how Jim White became curious about how so many bats could be coming out from under one bush in the early evening. They began to investigate, moved some bushes and rocks, and found the beginning of the cavern. Uncle Johnny described the images made by American Indians on the walls close to the entrance. Of course the entrance didn’t look anything like it does today but it was all a definite curiosity that begged to be investigated. It was only later on that the large glorious opening to the caverns was made.

Uncle Johnny continued on throughout his life to explore caves and prospect for gold. He and his son would rig up a travel trailer, pack it up, and head to Colorado to pan for gold in streams. They would both collect enough gold dust in a small vial and it would be just enough to get them through the winter. In the summer they would pan again and collect more dust. It was just them and their dogs having fun all year long. He would also occasionally get permission to collect stalactites and stalagmites from certain caves and then sell them to places that made novelty and tourist items. He knew a lot about geology from his experience and close personal interaction with different cave systems.

He used to visit us once in a while but I don’t remember him very much. In 1964 we got a call that he had passed away peacefully—while prospecting with his son. They would bury him in Carlsbad. Within two days we were there and I got to see the caverns for the first time. I needed to get away from the grieving elders for a while and figured it would be a nice way to remember Uncle Johnny. I was glad we did. Right after my excursion, I was sitting in the living room filled with older people who came to pay their respects to the surviving family members and to Uncle Johnny.

One older fellow was dressed in his Sunday best cowboy suit and he sat down next to me. He was elderly and hard of hearing but very friendly and talkative.

“Young Lady, did you go see the Caverns yet?” he asked me in a thunderous tone. He sounded so accusatory that I was glad I had already visited them, else he would have chastised me for not yet going.

“I sure did,” I said, “It was really something.”

He smiled and sat back in his seat, satisfied that I had done the proper thing.

“Did you see the Big Room?” he bellowed.

“I did.”

A few minutes later, after most people had left the room, he leaned forward to make sure no one else could hear what he was about to say. I was sure they could still hear him in the next room, but I didn’t want to tax his sensitivity.

“I know where there is a room, bigger than the Big Room and I am the only one who knows how to get there!” he said with conviction. “It’s hard to get to, but I know how!” He sat back in his chair and smiled; convinced he had just passed along an important secret.

He continued to talk and I remained polite, thinking he was reliving his youth and trying to entertain me a bit with an exaggerated story about the old days. I thought that surely the Carlsbad Caverns had been thoroughly explored and mapped out by then.

About twenty years later, I was listening to the morning news and heard a report about the Carlsbad Caverns. I swear to God, almost the exact same words were used . . . “They have just found a new place in the Caverns that is ‘A ROOM, BIGGER THAN THE BIG ROOM’.”

“What?” I said out loud. I looked at the TV screen and watched slender spelunkers in the cavern moving gingerly through tight rocks and squeezing hard to get past narrow stalagmites and other obstacles to gain access into a larger cavern. Again familiar words, “HARD TO GET TO” sounded from the screen.

I was suddenly grateful that I had been patient with that old man and remembered what he said. Bless his heart. He knew exactly what he was talking about!

A few years after Uncle Johnny passed, mom mentioned that he once visited us when we lived in Tucson, Arizona. In those days we moved around a lot throughout the Southwest. I didn’t remember much about Uncle Johnny, but mom said he had been exploring and prospecting in Arizona and stopped to visit with us for a bit. I suppose that all cave systems are different and have their own specific signature within their formations and chemical properties. Uncle Johnny seemed to know this and told my mom that he thought he had finally found the exit to the Carlsbad Caverns near a certain place in Arizona. Mom and I both racked our brains for years trying to remember what city in Arizona he had mentioned when he made this discovery—but we never had any luck. Geologists will say that this can’t be true, but maybe only time will tell where Carlsbad Caverns really ends.

Just like time eventually vindicated the old gentleman cowboy and his room, bigger than the Big Room.

My mom lived in very interesting times, including her life before the age of twelve in the Northwest. She had been around many famous individuals during her life but she said she never acted like a “fan.” She always maintained a sort of aristocratic aloofness, but treated everyone pleasantly and with a bit of nurturing friendliness. We could never go into any strange and foreign city without someone recognizing mom out of a crowd. She was self-effacing, but physically memorable and had a lot of personal magnetism. Often I was with her when a famous person would come up, shake her hand, and easily have a short conversation with her. Mom was always pleasant to them of course, but after they were out of hearing range, mom would often turn to me and say, “Who was that?”

If I knew, I would tell her something like, “Mom, that man that just shook your hand has been to the Moon and back! That was Harrison Schmidt!” Admittedly, Schmidt was running for office, but he picked her out of a crowd and introduced himself.

Everyone around her paled by comparison (including me) and people only noticed her. I was often in her shadow—but it was a comfortable shadow and I loved being in it.

Mom would tell me about when she was a little girl and how she would stand on the bridge in Portland, Oregon and watch the Russian ships sail beneath. She said the ships always seemed to have large female captains, roughly barking orders to the crew. She told me once she and her little sister went to an outdoor fair where they were demonstrating airplanes in the field (circa 1923). She said this female pilot saw her, walked over, and asked mom and her sister if they would like to fly in an airplane. Mom jumped at the opportunity, as she was always ready for adventure. All three of them went up and flew in this relatively new machine—a bi-wing)—after that, my mother forever loved planes (never a pilot, but always a happy passenger and observer). I’m not sure, but after checking times, dates, and her biography—this female pilot might have been Amelia Earhart. Imagine that!

Eunice is a small city south of Hobbs. There isn’t much to it, but my mother spent her twenties and thirties here doing everything from being a waitress, modeling clothes, working in the Post Office, writing articles for the newspaper, to finally becoming a wife and mother. She endured many hardships as a single woman, but never let on that she was anything less than comfortable. She needed a job and money for basic needs so she found herself in Eunice for a small job offer and stayed for several years. She was young, pretty, and had many suitors.

After work one day, her boyfriend took her to his office building to meet the night watchman and his cute little dog. There was probably never much to do in Eunice, so this held out a promise of unexpected entertainment. Several men were already there and sat around on the floor, most were half-crouched on one knee drinking a beer and politely waiting for the show to begin. Mom was introduced to all of them including her boyfriend’s boss, Mr. Hughes. The guard had a little doll’s bed by his desk. On cue, the small dog would do tricks and then kneel down to say his prayers before getting into bed. He would then have his master cover him up with the little blanket and the little dog would go to sleep. All the guys in the room laughed, even Mr. Hughes, as they quietly watched. I once asked mom where the building was located in Eunice and she said, “It was the Hughes Tools Warehouse.”

I almost swallowed my tongue.

“You mean Howard Hughes?” I asked incredulously.

Mom looked thoughtful, and replied, “Well, yes, Mr. Hughes.”

I remembered reading somewhere that Howard Hughes had always been referred to as Mr. Hughes, even by people much older than himself. What other Mr. Hughes would be the boss of Hughes Tools? I asked mom what he looked like, how he dressed, and how he acted—and it all added up. Many men and women of that era and general location knew Howard Hughes differently from the man in Hollywood that others only read about. Hughes was usually very quiet and unassuming and blended in very well with working men in the area. Mom finally realized who he was all those many years ago. However, she would never have acted any differently.

My sister and I had always been amazed at how much the actress Ava Gardner reminded us of mom even before we knew about the Hughes thing. When we saw her in a movie, Ava’s movements, her facial features, and the way she spoke—everything was exactly like our mom. When Ava grew older, she and mom resembled each other even more closely. After finding out about the Howard Hughes encounter, my sister and I would tease mom, telling her she must have given Howard Hughes the idea to make Ava Gardner a star, and also one of his girlfriends. Later, I found a very odd coincidence about Howard Hughes, Ava Gardner, and my mom—although born in different years—all three of them were all born on December 24, Christmas Eve.

Mom also had some crazy male cousins she wouldn’t talk about much, but I always thought they were sort of interesting. I suppose their antics were mostly schemes to impress and collect women, but I never met any of them so I am only guessing. One set of cousins actually took care of Clark Gable’s horses at his home in California. From little bits of information here and there, I believe the cousin’s may have used that job description as a line to entice girls to visit them. Another cousin had a covered wagon, driven by oxen. He had a long beard, dressed in buckskin, and claimed (falsely) that he was the direct descendent of Kit Carson. He would go around the California and the Southwest and do western performances and sideshows.

Its all been sort of a beautiful dance—how we all move around and connect somehow to each other—and to various places on the earth (and even in the earth—like a cavern). I am fortunate to have so many connections to different parts of New Mexico through my relatives and ancestors. Perhaps the many oddly coincidental things that happen to me indicate I am exactly where I should be—at the exactly correct moment in time. It feels like a generational waltz, going around and around in circles until I was the lucky generation to be living someplace as interesting and important as the North Central mountains of New Mexico.

Fate or history abducts us, in order to implant a firm validation of our existence in this world—a Karmic affirmation between physical location and soul. Or, in other words—this is where God wants me to be.

 —Raven DeVille

Tuesday, 13 August 2013 00:55

Painting by Manuel "Bob" Chavez (Ow-u-Te-wa)

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I recall meeting Bob some time around 1969. At the time I think he worked at the State Highway Dept. and taught art at St. Cathrine's Indian School. I bought this painting from him at his studio at the school for two reasons; 1. I really liked it and 2. It was a donation to the arts fund for the school. I knew he was from Cochiti and a Bataan death march survivor, but little else. As life moved on we lost contact.

I see now that he continued to paint at the school well into his eighties. He was a 1935 graduate of St Catherine's. He had a building named for him.  He spent four years as a POW in the Philippines and in Japan. He coached. And was designated a "living treasure" in 1987.

This painting is signed "Ow-u-Te-wa, 69." "Bob never understood why his grandmother, from Cochiti, gave him a Hopi name. He didn't know what it meant, till he met a Hopi in Sheridan, Wyoming who told him that Ow-u-Te-wa means Echo of Spring".

Monday, 12 August 2013 23:47

Fearful Creature of a New Mexican Night

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My sister once saw a werewolf. She didn’t tell Mom or me until almost twelve years later. The sighting was so traumatic to her and her three friends that none of them ever spoke about it after it happened. They simply turned their car around and came home.

It was about 1959 and we were living in Farmington, New Mexico. My older teenage sister and her friends had been quietly invited to a beer party at Jackson Lake, just off the La Plata Highway. Jackson Lake is said to be an inverted volcano with a natural spring that fills up the small lake. I’ve heard people say that if you swim or row out to the middle, the water is warmer—as if it is being fed from an underwater hot springs. The trees here are sparse and the scrub brush rarely grows over four to five feet in height. No modern lighting facilities are around, except for the occasional dim lights of a distant house or farm. At least that is how it was in the 1950s.

My sister said she and her friends were trying to find the dirt road turn off in the dark and got lost on another dirt road. As the car turned around a bend in the road, the headlights hit a scrub brush and something behind the bush suddenly stood up—quickly showing it’s height to be seven or eight feet tall. My sister said it had intelligent glowing eyes and a dog’s snout instead of a nose. It had long dangling (and very hairy) arms and hands. Strangely, she said it was wearing a man’s jacket, but the sleeves rode high up on the unproportionally long arms. It was also wearing a loosened tie around its furry neck. The jacket and tie were obviously several sizes too small for its massive body.

The creature seemed to exude an unspoken warning to them about getting out of his area, and the girls willingly obeyed. Only one of the girls said, “What is that?” They all remained silent as they turned and quickly got off the dark back road, drove onto the La Plata Highway and went directly back home to Farmington. Their previous giddy party plans for the beer bust now seemed very unimportant.

A young Michael Landon had just starred in “I was a Teenage Werewolf,” and Vampira was burning up the TV screens as the sexy hostess to scary movies in California. She was also kept busy as an actress by Ed Wood in some of his classically bad films. Vampira (actress Maila Nurmi) developed the original character that Elvira (actress Cassandra Peterson) later copied and improved upon. The atmosphere during the 1950s was set for a scream factor (fear release) and amusement at scary things, rather than investigation. It was highly unlikely that anyone would have believed my sister and her friends at that time but they never even tried to tell anyone about it. I think they were shaken to the bone and they all buried it deep inside, hoping never to see anything like it again.

For the last fifty years, I have also occasionally heard stories of large creatures that people see through their windows at night in small out-of-the-way farms and rural communities. They claim to see huge walking beings silently moving about, with strange animal faces and long hairy arms.

I have tried to think of what these things might have been. In the 1950s some of us in New Mexico had heard of the Abominable Snowman or a Yeti in Asia, but few of us had heard of Bigfoot. Could it have been a type of Sasquatch that my sister saw?

I went back to Farmington for a year in 1969 and I began to hear stories of Night Crawlers from the locals. The story was that sick or unwanted babies were sometimes deserted in the vast empty spaces of the desert southwest. The babies had been expected to die. Coyotes, dogs, and maybe wolves took them to suckle and they developed into feral children and then into reclusive animal-like adults who existed by hiding themselves well during the daytime. They survived by scavenging food from trashcans and dumpsters or through primitive hunting techniques. They also may have raided old clothes, blankets, and other materials to wear for warmth from garbage and dumpsters. Rome was said to have been founded by Romulus and Remus; who were both feral children, raised by a she-wolf. Can feral humans be more than a myth?

I have often thought Bigfoot and other strangely shaped creatures have been abandoned or lost children who became feral. They would easily become naturally suspicious of humans and develop excellent hiding and survival skills. Perhaps at one time there were so many of them, they could have formed groups or hidden communities.

Maybe nature adapts feral individuals into larger and hairier creatures to live more comfortably in the elements. It only takes a few months for a cute little pink farm pig to turn into a wild, large, hairy, aggressive boar with tusks—if allowed to escape into a wild setting.

If Bigfoot really exists, maybe we aren’t giving it enough credit for intelligence. Because it usually smells bad and looks animalistic, we automatically discredit its intelligence. If feral children are not found before the age of seven or so, they usually have a very difficult time developing language skills, social interaction, or human characteristics. They continue to move like animals, sniff at everything, walk on all fours, growl, etc.

Another possibility for the werewolf illusion might be a sighting of an American Indian who embarks on a type of “Vision Quest” in which they believe they become a particular animal. Sometimes the seeker will dress in elaborate attire and alienate other humans while searching for enlightenment. The animal may be a totem or a form by which they find answers to their questions, develop greater physical strengths, or skills. Although this is usually done in a spiritual form, some people claim to see the strange creatures incurred by these seekers.

I have thought the heads of odd night creatures were simply elaborate native headdresses, made with animal heads, fur, fangs, etc. Constructing large ones would certainly add to the height of their frame and probably be much more intimidating.

When I asked my sister about this possibility and if her sighting could have been part of a headdress, she said “No.” I could tell she reluctantly thought back on it and said, “I saw the mouth move when it growled and showed its fangs. The eyes blinked once or twice—and it had that long snout—like on a dog. And, its nose was wet.”

I suppose I will never know how to exactly identify what my sister saw, but I thought this was an interesting experience. Unreal creatures may be living close by us, but I don’t think I have ever heard of one purposely hurting someone. These beings may act in threatening ways in order to protect themselves, their hidden young, or their territory. The feeling of terror that humans experience while watching these creatures could be a naturally developed form of fear “pheromone” emitted by the creature. The unexplained creatures could just be scared and frightened of us also.

I think we just have to respect that and cut them a wide path—if indeed you should ever come across something—unexplainable.

—Raven DeVille

Saturday, 10 August 2013 19:53

Drawing by Arthur Seligman

Contributed by

Drawing by my grandfather 34 years before he was elected Governor. Colored pencil on paper. Dated 1897. Personal Collection.

Thursday, 08 August 2013 07:19

La Llorona—The Crying Woman

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La Llorona (Spanish for the Weeping One [La-yo-ro-na]) is a familiar figure to the Hispanic population of northern New Mexico. She is heard (and sometimes seen) around ditches and other places where water may flow or accumulate. Parents warn their children about her. She wants to catch and abduct children and take them with her. She lets out a blood-curdling wail that shakes people to the bone. La Llorona is dressed all in black and sobs in loud, unnatural, and pathetic weeping.

There are several versions of the story and it may extend back to the Conquistadores. I have heard it most often haunts this northern part of our state. The haunt may be based on a true story of a woman named Maria. She was beautiful, vain, and riddled with a horribly jealous nature. A handsome stranger visited her village and fell in love with her. They married and had at two children. Over time, the woman became angry that her husband was not paying enough attention to her, yet he doted on their children. This made her angry.

In a fit of unreasonable anger, she reacted by drowning both her children in a ditch. Her husband (the loving father) and the rest of the village were shocked and appalled by her actions. Suddenly, she realizes the horrible thing she has done and goes insane. In her madness, she begins searching for her children in the ditches and arroyos. Most sightings of her seem to occur during twilight and early evening hours.

She screams and wails in frustration and frightens other children away from the ditches. Sometimes children hear her when it is late or dark—as if they should not be out—but safely back at home.

I know that a mountain lion can often sound like a screaming woman and sometimes elk can make some high-pitch noises. When I bring up this fact to the people who tell me of their personal experiences with La Llorona, they all say, “No. It was La Llorona. It wasn’t an animal.”

My most memorable story comes from a non-Hispanic woman who witnessed both the crying and the actual sight of La Llorona. Several years ago, Jane (not her real name) was driving from Chama to Santa Fe, late one afternoon. Her car went over a sort of overpass by an arroyo and she saw a woman, dressed all in black, walking by the side of the road, and crying profusely. No one else was around for miles and miles and Jane continued driving, passing her on the road. Jane is a crusty, conservative individual, not given to partake in whimsical fantasies or illusions. However, she said she had a horrible feeling of something not being right. Jane said that when she passed the woman in black, the sobbing was so unnatural that it seemed to be coming from right inside her car—in the seat next to her—even though the windows were rolled up tight. Jane said she got to Santa Fe later that evening, but she couldn’t remember anything about the ride after she passed the woman. Jane was really shaken up by the odd occurrence. Eventually, she began talking to someone in Santa Fe about her experience and that was the first time that Jane had ever heard of La Llorona. In fact, Jane still can’t pronounce “La Llorona.”

I feel this is an excellent example of a New Mexico Mystery sighting without previous regional or cultural imprinting.

—Raven DeVille

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